Rooh Ko Jism K Pingray Ka Bana Ker Qaidee, Us Pay Phir Mout Ka Pehraa Bhi Bithaa Rakha Haiĭay K Tadbeer K Panchi Ko Uranay Tu Nai, Daam-E-Tadbeer Mein Her Sumt Bicha Rakha Hai Kuch Samajh Mein Nahi Aata K Yeah Chakkar Kia Hai, Khail Kia Tum Nai Azal Say Yeah Racha Rakha Hai Yeah Ma Bud O Haram, Yeah Qaleesa-o-Dair Kiyoon, Harjayii Ho Jabhi To Bata’tay Nahi To Tumĭil Peh Hairat Nai Ajab Rung Jama Rakha Hai, Aik Uljhi Howi Tasveer Bana Rakha Hai
Hairaan Hoon Mairay Dil Mein Sama’ay Ho Kiss Tarah, Haan’la K Do Jahan Mein Samatay Nahi To Tum Ta’ajub Hai Magar Rehtay Ho Tum Tootay Hoay Dil MeinĬhuptay Nahi Ho, Samnay Aatay Nahi Ho Tum, Jalwa Dikha K Jalwa Dikhatay Nahi Ho Tumĭair O Haram K Jhagray Mita’tay Nahi Ho Tum, Jo Asal Baat Hai Wo Batatay Nahi To Tum Pata Yoon To Bata Daitay Ho Sub Ko La-Makaan Apna Jo Samajh Mein Aa Gaya Phir Wo Khuda Kiyoon Ker Hoaįalsafi Ko Behas K Ander Khuda Milta Nahiĭour Ko Suljha Raha Hai Aur Sira Milta Nahi Haath Aao To But, Haath Na Aao To Khuda HoĪqal Mein Jo Ghir Gaya La-Intiha Kiyoon Ker Hoa Hairan Hoon Is Baat Pay, Tum Kon Ho Kia Ho Nahi Aaya Khayaloon Mein Agar Tu, To Phir Mein Kaisay Samjha Tu Khuda Hai Mein Jiss Ko Keh Raha Hoon Apni Hasti, Agar Wo Tu Nahi To Aur Kia Hai Nahi Hai Tu To Phir Inkaar Kaisa, Nafi Bhi Tairay Honay Ka Pata Hai Na But-Khanay, Na Kabay Mein Mila Hai, Magar Totay Hoay Dil Mein Mila HaiĪdam Bun Ker Kaheen To Chup Gaya Hai, Kaheen To Hast Bun Ker Aa Gaya Hai Jo Ulfat Mein Tumhari Kho Gaya Hai, Usi Kho’ay Hoay Ko Kuch Mila Hai Phir Samajh Mein Nahi Aata Tera Purdah Karnaĭo Gharoon Ka Hai Charaagh E Kurkhe Roshan Tera Magar Tashreef Farma Tujhay Apne Dil Mein Daikha Haiĭhonday Nahi Milay Ho Na Dhonday Say Kaheen TumĪur Phir Yeah Tamasha Hai, Jahan Hum Hein Waheen Tum
Tujhay Dair-O-Haram Mein Nai Dhonda Tu Nahi Milta Hairaan Hai Magar Aqal K Kaisay Hai To Kia Hai Her Zarray Mein Kiss Shaan Say Tu Jalwa Numa Hai Kisi Talak Na Tera Aaj Tak Nishaan Pohncha Tumhari Deed Ki Khaatir Kahan Kahan Pohcha Kabhi Yahaan Tumhein Dhonda, Kabhi Wahaan Pohncha For last one month i have listen this qawali hundred times. Because NFAK inserts extra lines of poetry into the qawwali, I have tried to delineate which parts are from Naz’s original work and which are asides.Today i am going to write urdu translation of a qawali performed by Nusrat Fateh Ali Khan. In my translation below, I have used the Nusrat Fateh Ali Khan version. See below for videos of Naz Khialvi reciting the poem and of Ustad Nusrat Fateh Ali Khan (1948-1997) performing it. Another reference is to the story of Laila and Majnoon, in which Qais becomes a madman (“Majnoon”) for the rest of his life after Laila’s father refuses to let them marry. For example, Naz references Mansoor al-Hallaj, a Persian mystic who was executed in the tenth century for saying “I am the truth!” Naz also includes the story of Joseph – referring to him with a rare title, “Maah-e-Kanaan”, meaning “The Moon of Canaan”.
#WHO WORTE TUM EK GORAKH DHANDA HO FULL#
It is worth mentioning that “Tum Ik Gorakh Dhanda Ho” is full of references to prophets, Sufi saints, and Punjabi folk heros. At the same time, this poem would still be considered a hamd, or praise of God. Like Iqbal, Naz expresses a sense of frustration and wonder towards God. In the sense that “Tum Ik Gorakh Dhanda Ho” is a complaint to God, it is thematically similar to Allama Muhammad Iqbal’s famous “Shikwa”. At the end, after listing his grievances, the bewildered poet ultimately accepts divine incomprehensibility. The poem also points toward the unity of human religious experiences.
This philosophically and spiritually rich text explores the paradoxes of religion like the prevalence of evil and injustice, selective divine intervention, and other indecipherable aspects of God. Naz Khialvi (1947-2010, real name: Muhammad Siddique) was a Pakistani poet and radio broadcaster from near the city of Faisalabad, most famous for his poem “Tum Ik Gorakh Dhanda Ho”.
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